This review won’t discuss every single one of the gems within the pages of Prism, as that would somewhat spoil the joy that readers of this fine collection owe to themselves to experience firsthand. However, I will mention a few of the short stories to give you a tantalizing taste of the banquet of tales that await you.
The first short story in Prism is “After the Empire.” It was originally published in the Summer 2008 issue of The Armchair Aesthete. The tale is told primarily through the thoughts and perspective of a soldier who still seeks stubbornly to defend his city despite its having been overrun by a ruthless enemy. The soldier is sick, hungry, and thirsty, but he is persistent in honoring what he feels is his duty.
The only other character who speaks and attempts to befriend the soldier is a woman who had been a servant in the household of a wealthy man’s family. Everybody except for her has been killed. She is the only one left. When the soldier meets her, he asks her if she has a horse he can use even before he asks for some water to drink. The soldier is stubborn, perhaps due to a sense of loyalty; or, perhaps because he knows no other way of life.
“11,” the second tale in the collection, was originally published in the Fall 2008 issue of Allegory. The story is about a man, Carl, who feels as if he has been tormented by an unseen person ever since he was a young boy. The tormentor seems to delight in destroying any tiny hints of happiness in Carl’s life, killing a pet dog that he had when he was a boy, burning down his parents’ house with them trapped inside, ruining any chances he might have had at love and a real life. What is the significance of the number "11" and the tattoo of it that Carl, who becomes a janitor, has on his hand? You will have to read the story to find out!
The third short story in Prism, “Icon,” first appeared in the January 2009 issue of Midnight Times. The story tells about a music critic, who is known wherever he goes as just “the critic.” He can make or break the musical acts he sees with just a few lines in his column. In “Icon,” he becomes infatuated with a particular act, a woman who sings punk music, drinks vodka and vomits on the stage. The critic treasures every encounter he has with her, even the most fleeting ones. He bails her out of jail several times yet never turns his back on her, even when he, himself, is criticized for losing his objectivity.
These three wonderful short stories are just the beginning of Prism by Roland Allnach. He writes of tragic love, serial killers, aliens, and many other topics, and includes elements of speculative fiction, myths, science fiction, and horror in the 17 tales in this latest collection. If you are looking for an excellent collection of short stories from one of today’s premier authors, look no further than Prism by Roland Allnach!
Review of
'Prism' at Pacific Book Review
Rated 5 out of 5 Stars
Reviewed by Jason Lulos
Quite an intriguing and thought-provoking storyteller. Each piece in this collection is literally and figuratively engaging. In short, Allnach's abilities as a storyteller in transporting the reader to fantastic worlds is obvious, but these tales also lend themselves to allegorical comparison with current issues, private to sociological. The wide cast of characters in this collection range from the pathetic to the triumphant to the homicidal and psychotic. The collection could have aptly been called “Tragedy and Comedy” but that would have been too cliché. There is plenty of tragedy, some comedy, numerous elements of the surreal and always with hints of suspense. He keeps you guessing. In this collection, you will find short stories reminiscent of Poe's style of the grotesque, troubled mind. You will also find epic poetry, Shakespearean tragedy, and occasionally some comic relief. There is something for everyone, but the roads in most of these stories are dark and paradoxically laden with hope and hopelessness.
The final story, “Dissociated” is on the cyclic nature of things, writing, and life. A nice way to close, considering the first story, “After the Empire,” is about the end of things. Although there is a wide range of issues and genres in Prism, there is the sense of a continuum, much like a concept album where the songs exist on their own but somehow synthesize together. The soldier in “After the Empire” willingly fights for a lost cause. The protagonist in “11” fights against his own subconscious. The critic in “Icon” fights against the media's sycophantic infatuation with celebrity; and thereby fights against himself. So, there is this continuum of struggle, reflection, rebuilding, reconciliation. In “Memento,” Henry tries to reconcile by reaching out to his enemy's family. Internal psychological struggle and actual war parallel each other like the two faces of a prism, with multiple angles of introspection and allegorical interpretation on the sides. Dark as they are, they invite the reader to look at struggle as difficulty but also as an accepted challenge, and there is optimism in that pessimism. It's not all Sisyphean. Allnach provides levity with the nose-picker in “The Great Hunter” and the poem “Tumbleweed” otherwise titled “An Ode to a Well Endowed Gunslinger.”
I have to mention “Beheld” as a really interesting look on creation itself. But where Allnach really goes out on a limb is with “Titalis” and “Typhon and Aerina.” Titalis is a tragedy with Shakespearean themes and the flowery language to boot. “Typhon and Aerina” is an epic poem written in classical style. This makes an interesting juxtaposition in the collection; so much science fiction is set in the future, but these are ambiguous as they could be in the distant past, the distant future, or in some parallel universe. This calls to mind the Family Guy mockery of Star Wars noting the tale is “in a galaxy far, far away but somehow in the future.” Kidding aside, this is the mark of a good science fiction writer; to give tales some linear ambiguity, leaving it up to the reader to decide if they've already happened or have yet to be.
Review of
'Prism' at Hollywood Book Reviews
Rated 4 out of 5 Stars
Reviewed by Ella Vincent
Prism by author Roland Allnach shows the
full spectrum of his creativity,
storytelling skills, vivid imagination
and although may be a bit frightening at
times, he is always entertaining.
Prism is a collection of Roland
Allnach’s newest short stories and
acclaimed poetry all in one book.
Allnach’s short stories are compelling
and engaging tales. The stories are
haunting and graphically terrifying; in
a good way. One standout tale is “11’’
about a man driven to unspeakable acts
by his bullying tormentor.
Another intriguing story is “Icon.’’
That story details the dysfunctional
relationship between a Courtney
Love-like troubled female rock star and
an obsessed music critic. One story,
“Creep’’ is a simple story about a boy
battling monsters he creates that sends
an evocative message about fear. Some of
the stories are graphically violent, but
teach a subtle lesson about obsession,
cruelty, and love.
Allnach’s stories also feature other
genres, like science fiction in “ The
City of Never,’’ dystopian fantasy
fiction in “After the Empire’’ and
long-form poetry like “Of Typhon and
Aerina.’’ There’s even some humor in
Prism in the midst of all the drama and
horror. One poem, “ Tumbleweed (An Ode
to a Well-Endowed Gunslinger)’’ is a
humorous look at a Wild West lawman.
Allnach’s genres vary and so do his
characters. Many of them are tragic, but
also have an underlying gentle humanity,
like the rock singer in “Icon.’’ The
fictional settings of places like
Eurimedon in “Titalis’’ come to life as
a brilliant example of Allnach’s
storytelling skills.
Allnach’s adult fiction would be perfect
for horror fans that love the
spine-tingling stories of authors such
as Stephen King. The science-fiction and
fantasy stories would also be great for
Game of Thrones fans that want more
adult fantasy fiction to add to their
collections. Prism would also be a great
addition to libraries’ horror or
science-fiction sections.
The stories are so vivid, they could
easily be made into a horror series,
similar to Tales from the Crypt.
“Titalis’’ could also be turned into a
book series of its own with its rich
characters and storylines. Allnach’s
writing asks a lot of provocative
questions, and readers will enjoy trying
to find the answers.
Prism shows the full range of Roland
Allnach’s unique writing. The collection
of stories will introduce readers to new
worlds and new ways of looking at
traditional book genres. Author Roland
Allnach’s award-winning literature shows
that short stories can leave a
long-lasting impact on readers.
REVIEW of 'Prism' by Roland Allnach
Reviewed by Cynthia Brian
5 STARS - Optimistic Odyssey
The book cover for Prism offers a glimpse into a formidable journey of the mind. Your sensibilities will be shocked, appalled, energized, scared, saddened, and relieved as you forge your way through chapters of fantasy, horror, mythology, war, tragedy, humor, and speculative fiction. A compendium of many of Allnach’s award winning and Editor’s Choice stories previously published, Prism is a science fiction adventure appearing real.
His previous book, Oddities and Entities, centered on the speculative, supernatural, and the paranormal, written in a style that I labeled “poetic prose”. In Prism, Allnach, continues the odyssey of grim, gruesome, groaning eruptions that shatter one’s perception of normalcy. Cannibalism, insanity, and incest are equally examined alongside topics of love, lunacy, and gossamer lightness of being. Without warning, we are pulled into the depths of darkness then rocketed to the radiance of blinding brightness, all within a few pages. Prism is an emotional roller coaster.
Without a doubt, Allnach is a literary genius painting portraits that simultaneously repulse and attract. Whether his subjects are wilting or witty, the poetry of his words conspires to entrap the reader in a web of seduction. After reading Prism, you’ll want to know the back-story of how he hatches his ideas. Has he heard tales of such horrors during his twenty-year night watch at the hospital? Has he witnessed true-life experiences that have transitioned into his prose? Are his writings derived from a vibrant imagination, terrifying nightmares, or raucous reality?
Only Allnach can answer these questions and I intend to ask him on his next visit to my radio program, Starstyle®-Be the Star You Are!® In the meantime, pick up Prism and prepare for a wild ride, an E ticket with steel seat belts required.
The optimism resides in the truth that Roland is on a roll…stay tuned!
Cynthia Brian is Producer/Host of StarStyle®-Be the Star You Are!® Radio and a New York Times best selling author.



